Three vertices with enough distance between them to create a clear center, an internal space, that like a matrix houses the answers; this project intends to find its center through an exercise in triads. To answer our questions by creating a scenic triangulation, the first geometric triangulation of Flamenco on boards and therefore the perfect vehicle to retrace this path, to undertake a return to the origin, to Flamenco as a pure, territorial, and maternal heartbeat. To the scene without deception. To the dance without evasion.

Three universes to generate fertile space to deepen, undo, merge, and be reborn. Away from the usual accompaniment to immerse ourselves in a real, inescapable encounter, with the intention of creating a living game. In this game, bodies interact and coexist to connect, enhance, and destroy each other; truth, honest drive, and the search for certainty is the only assertion. Our triangle will be a battlefield for Eduardo Guerrero to stalk his genesis, his first dance, his ten-year career, his relationship with Flamenco, his body and its plasticity. To carry out this approach other vertices are needed, axes destined to empower and provoke the dancer to find his instinctive and unpretentious dance, practically unstoppable, that emerges from the need to move the emotion to understand it, to root it, or to devour it.

This project aims to dive into the basics in a humble, simple way, without distracting artifacts and observe what happens when we let the minimal invade us, that innocent dance of the beginning returns to our body.

What happens when we eliminate all the subterfuge to see how the body beats and honestly gives into itself to blur and melt.

A triad to return to Flamenco as catharsis, as a language to unburden the heart and let the soul free. To return to Flamenco as a collective communion and sacred meeting, as a vehicle that brought us to the here and now and from which we will return to the before.