Ana Morales
y compañía
Más que baile
DATE & TIME
Sat. June 21 at 6:00pm
LOCATION
Rodey Theatre, UNM
About
The SHOW
A collection of unpublished pieces ranging from minimalism and abstraction to corporatism and totality, some broken, others whole, deconstruction and structure, the neutral concept of flamenco in its logic or flamenco as flamenco in its variety, its mix, its mosaic.
At the point of convergence, the stories of my voice, your voice, their voice, voices—recreating a new recital, flamenco.
My body with all its possibilities, the voice with the words that bring stories, the history of flamenco, stories of my flamenco that bring me back to the body, with movement as the main focus, and its relationship with the environment, time, space, and the surrounding light.
Sonorities that transport new ways of hearing—sound reproduction, acoustics, reverberation—how we can use the possibilities, qualities, and millions of ways to listen to ourselves and to flamenco, always as the starting point, thus the freedom of codes as a vehicle for this journey.
Something eternal in movement, you absorb the new, becoming the new, which comes from the original.
“”
With the freedom of codes as a starting point, the piece brings together a series of original creations, some fragmented and others complete, traveling from minimalism and abstraction to corporatism and totality.
De Flamenco
flamenco magazine
Cast & Credits
Ana Morales
Dance, Original Idea, Choreography
Antonio Campos
Cante
Juan José Amador
Cante
Fran Vinuesa
Guitar
Daniel Suárez
Percussion, Sound Design
Alfredo Vique
Stage Design, Lighting
Gaspar Leal
Sound
Belén de la Quintana
Costume Design
Compañía Ana Morales
Production
Photo: Javier Fergo
Learn More About
Ana morales
Ana Morales (Barcelona, 1982), dancer and bailaora, is a leading figure in the new generation revolutionizing contemporary flamenco. Described by Didier Deschamps, director of the Théâtre Chaillot in Paris, as embodying “intensity, elegance, and sensuality,” Morales captivates with her mastery of movement and stage presence.
Her choreographic work blends flamenco and contemporary dance, marked by a search for authenticity and emotional resonance. Morales’ creations evolve with her personal journey, incorporating improvisation and cross-disciplinary influences.
She has premiered seven acclaimed productions, including Sin Permiso. Canciones para el Silencio (2018), which earned the Giraldillo al Baile, three Lorca Awards, and international recognition. Other notable works include En la cuerda floja (2020), Una mirada lenta (2017), Los pasos perdidos (2016), and Reciclarte (2012).
Morales has collaborated with renowned artists and institutions such as Esperanza Fernández, Gonzalo Rubalcaba, Rafaela Carrasco, Javier Latorre, and Andrés Marín. She has also appeared as a soloist in Carlos Saura’s Flamenco Hoy and Iberia and performed with the Ballet Flamenco de Andalucía in celebrated productions like Imágenes, winner of the Giraldillo Award for Best Show at the 2014 Bienal de Flamenco de Sevilla.
Photo: deflamenco.com