Úrsula López

Compañía

 

Comedia sin título

FEATURED SPONSORS

New Mexico Gas Company

The Albuquerque Hispano Chamber of Commerce Convention & Tourism

DATE & TIME

Thurs. June 25TH, 8:00pm

 

LOCATION

Journal Theatre, NHCC

About

Comedia sin título

“Arcángeles, vestidos de faralaes, ascienden a los cielos.”

“Archangels, dressed in ruffles, ascend to the heavens.”

Act III, Comedia sin Título

Federico García Lorca

Federico Garcia Lorca was writing Comedia sin Título when he was assassinated in the first days of the military coup that ended the Spanish Republic. Beginning from the sole surviving line of its final act, this work traces flamenco’s survival and transformation under the Franco dictatorship, within Spain and in exile, and its expansion onto the international stage.

In hostile territory, kept alive by the flamencos themselves, Lorca’s spirit never died. “Pure” baile from Gades to Farruco coexists here with the avant-garde dramaturgies that Lorca once brought to the world’s most radical stages. As the audience cried in Rome in 1977: “Lorca ha resucitado!” “Lorca is risen!” Today’s generation of bailaores and bailaoras are the ones harvesting that seed.


“”

…un espectáculo complejo, rebosante de matices y con el pellizco justo serpenteando el rastro del poeta. (…a complex performance, brimming with nuance, with just the right pellizco winding its way through the poet’s trail.)

Diario de Jerez

Cast & Credits

Úrsula López
Dance
Julia Acosta
Dance
Aitana Rousseau
Dance
Andrea Anto
Dance
María Gómez
Dance
Manual Jiménez
Dance
Federico Núñez
Dance
Iván Orellana
Dance
Jesús Hinojosa
Dance
Perrate
Cante
Sebastián Cruz
Cante
Alfredo Lagos
Guitar
Juan Jiménez
Saxophone
Antonio Moreno
Percussion
 
Photo: Ana Palma

About

Úrsula López

Úrsula López (Montilla, Córdoba; raised in Algeciras) is a bailaora, choreographer, and artistic director whose formation spans classical ballet, danza española, and flamenco. After continuing her studies in Seville with Manolo Marín, she began her professional career in the opera Carmen, directed by Carlos Saura at the Festival dei Due Mondi (Spoleto), and in 1996 joined the Compañía Andaluza de Danza. With that company she appeared in repertory that included works linked to María Pagés and José Antonio Ruiz, and she took soloist roles in choreographies such as Dharma (Eva Yerbabuena) and Malunó and Vals patético (José Antonio). In 2002, she participated in Bodas de sangre under Antonio Gades’s direction, and from 2004 to 2006 she worked with the Ballet Nacional de España as a guest artist.

In 2007, López founded her own company, premiering Abriendo camino at the Festival de Jerez and beginning longterm collaborations that included touring and Instituto Cervantes projects. Her productions as a company director include Flamenco se escribe con J, La otra piel, Dulce sal amarga, JRT (Julio Romero de Torres, pintor flamenco), and Las pequeñas cosas. She is also the founder of Flamencodanza Estudio in Seville. From 2020 to 2023 she served as artistic director of the Ballet Flamenco de Andalucía, leading projects such as El maleficio de la mariposa and commissioning singular collaborations (including Gimnasio).

Study with

Úrsula López

during festival flamenco 39