Ingrávido 5.1 is the current concert program by Planeta Jondo, an Andalusian ensemble formed in Huelva whose work moves between flamenco inheritance and compositional experimentation. Anchored in their recording Ingrávido—created with notable collaborations including Carmen Linares, Arcángel, and Jorge Pardo—the stage version is conceived as a continuous listening environment rather than a “set of hits”: a sequence of pieces that repeatedly recalibrates what carries the center of gravity—voice, guitar, wind line, hand percussion, or the drum/bass foundation.

The group’s method is structural. They introduce new colors not as ornament but as tools for form-making: flute and harmonica can double or contradict the cante; keyboards can open harmonic space; percussion articulates both groove and silence. Against that expanded palette, flamenco remains legible through compás and through the presence of recognizable palos. The repertoire includes original lyrics and arrangements that treat tradition as a working resource—something to be handled, re-voiced, and placed in new acoustic relationships.

Ingrávido was refined with guidance from the Flamenco Lab Paco de Lucía initiative (Fundación Música Creativa and Fundación Paco de Lucía), including mentoring focused on staging and on electronic-based arrangements. The result is a concert whose dramaturgy is musical: tension and release are built through density, timbre, and spacing. Audiences hear an ensemble thinking in real time—how a wind phrase answers a sung line, how rhythm tightens or thins, how the group decides when to fill the room and when to leave it open. The title’s “weightlessness” becomes perceptible when the ensemble lets sound hover—when a line hangs in the air, when the pulse thins, and when the music returns to earth with renewed definition.